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 | SCOTT REDFORD | 
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 | BIOGRAPHY | 
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                    | 1962 | Born Gold Coast, Queensland | 
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 | Lives and works Brisbane | 
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 | SOLO EXHIBITIONS | 
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                    | 2014 | Scott Redford – Burn Rate / Parallel World, 11m2, Berlin | 
                    | 2010 | Fiorucci Made Me Hardcore, Melbourne | 
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 | Reinhardt Dammn: Ruined In A Day, Hesier Gallery, Brisbane | 
                    | 2009 | Reinhardt Dammn: New Single, Out Now Criterion Gallery, Hobart | 
                    | 2008 | On The Beach, Jan Manton Art, Brisbane | 
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 | Reinhardt Dammn: Anytime Baby, Gould Galleries at Melbourne Art Fair, Melbourne | 
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 | Reinhardt Dammn: Cold War, Breenspace, Sydney and IMA, Brisbane | 
                    | 2007 | Photo: Sculpture, Theatre etc…Gertrude Contemporary Art Spaces, Melbourne | 
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 | Sculpture, Criterion Gallery, Hobart | 
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 | Blood Disco, Art Gallery of NSW, Sydney | 
                    | 2006 | No Place Like Home, Institute of Modern Art at Melbourne Art Fair, Melbourne | 
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 | Bricks Are Heavy, Institute of Modern Art, Brisbane | 
                    | 2005 | The Content of these Paintings is Secret, Known Only to the People of Surfers | 
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 | Paradise: Scott Redford and the Gold Coast, Gold Coast City Art Gallery | 
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 | This Side of Paradise, Sherman Galleries, Sydney | 
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 | Surf Paintings/ Heavier Than Heaven, Criterion Gallery, Hobart | 
                    | 2004 | ½ Way: Collage Works 1994–2004, Dell Gallery, Queensland College of Art, Brisbane | 
                    | 2003 | I’ve Got My Spine / I’ve Got My Orange Crush, Contemporary Art Centre of South | 
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 | Australia, Adelaide | 
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 | 1962: Selected Works 1983–1992, University of Queensland Art Museum, Brisbane | 
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 | Surf Paintings / Somebody’s Son, Bellas Gallery, Brisbane | 
                    | 2002 | I Need More, Kunstlerhaus Bethanien, Berlin | 
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 | Urinals: Broadbeach, Surfers Paradise, Fortitude Valley, Austallungen bei Horst | 
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 | Schuler, Dusseldorf | 
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 | Spiritual Australia, Bellas Gallery, Brisbane | 
                    | 2001 | Photo: Bleach Room (Kurt), Aktionsforum Praterinsel, Munich | 
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 | Surf Paintings / Yield Brother, Austallungen bei Horst Schuler, Dusseldorf | 
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 | Spiritual Australia, Bellas Gallery, Brisbane | 
                    | 2000 | Surf Paintings = Already Gone, Sutton Gallery, Brisbane | 
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 | Surf Paintings / Futurist City, Bellas Gallery, Brisbane | 
                    | 1999 | Surf Unbe, Austallungen bei Horst Schuler, Dusseldorf | 
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 | We are the Language (Kurt), Metro Arts, Brisbane | 
                    | 1998 | To Have and Have Not 7066 AD, Bellas Gallery, Brisbane | 
                    | 1997 | When Doves Cry, Bellas Gallery, Brisbane | 
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 | Anyone Who Had a Heart, Sutton Gallery, Brisbane | 
                    | 1996 | Learn by Heart, Institute of Modern Art, Brisbane | 
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 | Everything that happens in culture happens because it is needed / PURE | 
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 | MASSACRE – silverchair, Artspace, Sydney | 
                    | 1995 | Spilt Milk, Sutton Gallery, Brisbane | 
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 | Photo: Surf or Die, Bellas Gallery, Brisbane | 
                    | 1994 | Automatic for the People, Sutton Gallery, Melbourne | 
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 | Abstraction is the Enemy of the People, (given)/ Keanu Institute of Modern Art, | 
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 | Brisbane | 
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 | Nostalgia Bellas Gallery, Brisbane | 
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 | (rosetta stone), Martin Browne Fine Art, Sydney | 
                    | 1993 | Minus Objects, Milburn Gallery, Brisbane | 
                    | 1992 | Equation, Eagle Street Pier, Brisbane | 
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 | Painting is Constructed, Institute of Modern Art, Brisbane and Umbrella Studios, | 
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 | Townsville | 
                    | 1991 | Object + Gesture, Mori Gallery, Brisbane | 
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 | Teeming Surface, Milburn Gallery, Brisbane | 
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 | 101 x Work, Mori Gallery, Brisbane | 
                    | 1990 | After Drawings by My Younger Brother Adam McCaull, Milburn Gallery, Brisbane | 
                    | 1989 | Works on Paper 1986–1989, Mori Gallery, Brisbane | 
                    | 1988 | Painting as Phenomena, Australian Centre for Contemporary Art, Melbourne | 
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 | Cold War, Bellas Gallery, Brisbane | 
                    | 1987 | Flag of Convenience, Bellas Gallery, Brisbane | 
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 | Love and Sadness, Gold Coast City Art Gallery, QLD | 
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 | M.A.C.H.I.N.E., Museum of Contemporary Art, Brisbane | 
                    | 1986 | Love + Pride, Institute of Modern Art, Brisbane | 
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 | SELECTED GROUP EXHIBITIONS | 
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                    | 2011 | Allsorts, Gould Galleries, Melbourne | 
                    | 2010 | Director’s Choice, Gould Galleries, Melbourne | 
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 | Scott Redford Vs Michael Zavros IMA, Brisbane | 
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 | Un-Australian QUT Art Museum, Brisbane | 
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 | Present Tense: An Imagined Grammer of Portraiture in the Digital Age NGP, | 
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 | Canberra | 
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 | Zen to Kawaii: The Japanese Effect QUT Art Museum, Brisbane | 
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 | Multiples GOMA. Brisbane | 
                    | 2009 | Clemenger Prize NGV, Melbourne | 
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 | National Artists’ Self Portrait Prize University of Qld Art Museum, Brisbane | 
                    | 2008 | Optimism: Contemporary Australia GOMA, Brisbane | 
                    | 2006 | 21stCentury Modern: 2006 Adelaide Biennial of Australian Art | 
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 | Art Gallery of South Australia, Adelaide | 
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 | Magicians of the Sea, Australian Centre for Photography, Sydney | 
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 | SOFA Chicago, USA. Represented by Australian Contemporary | 
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 | High Tide: New Currents in Art from Australia and New Zealand | 
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 | National Gallery of Poland, Warsaw and Contemporary Art Centre, | 
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 | Vilnius, Lithuania | 
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 | Supercharged: the Car in Contemporary Culture Latrobe Regional Gallery, | 
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 | Morewell (and tour) | 
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 | Light Sensitive: Contemporary Australian Photography from the Loti Smorgan | 
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 | Fund National Gallery of Victoria, Melbourne | 
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 | Epic Lismore Regional Gallery | 
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 | Queensland Live Gladstone Regional Art Gallery (and tour) | 
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 | Landscape Gould Galleries, Melbourne | 
                    | 2005 | Identity and Desire: Australian Contemporary Art, Art Gallery of South Australia | 
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 | Unscripted: Language in Contemporary Art, Art Gallery of New South Wales, Sydney | 
                    | 2004 | 2004: Australian Culture Now, National Gallery of Victoria and Australian Centre | 
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 | for the Moving Image, Melbourne | 
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 | Surface Tension, Australian Centre for Photography, Sydney | 
                    | 2003 | Photographica Australis, National Gallery of Thailand, Bangkok, Singapore Art | 
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 | Museum and 11th Asian Art Biennale, Bangladesh Shilpalaka Academy | 
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 | One Square Mile, Museum of Brisbane, Brisbane | 
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 | Untitled: Abstraction from the Contemporary Collection, Art Gallery of New South | 
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 | Wales, Sydney | 
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 | Conceptualism in Brisbane, Queensland Art Gallery, Brisbane | 
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 | See Here Now: Vizard Foundation Art Collection of the 1990s, The Ian Potter | 
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 | Museum of Art, The University of Melbourne | 
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 | Staring in the Dark, Australian Centre for Photography, Sydney | 
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 | Gobbledygook, Centre of Attention, London | 
                    | 2002 | Fieldwork: Australian Contemporary Art 1968–2002, National Gallery of Victoria, | 
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 | Melbourne | 
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 | 6 ft + Clean: Surf + Art, Gold Coast City Art Gallery, Gold Coast and touring | 
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 | nationally | 
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 | With and Without You: Revisitations of Art in the Age of AIDS, Sydney Gay Games | 
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 | Festival, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney | 
                    | 2001 | So You Wanna be a Rock Star, National Portrait Gallery, Canberra | 
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 | Blondies and Brownies: Racism and Multiculturalism in the New and Old Worlds, | 
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 | Aktionsforum Praterinsel, Munich | 
                    | 2000 | Sporting Life, Museum of Contemporary Art, Sydney | 
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 | Minimal, Australian Centre for Photography, Sydney | 
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 | Monochromes, University of Queensland Art Museum, Brisbane | 
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 | Blondies and Brownies, Torch Gallery, Amsterdam | 
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 | Surrender: I Wanna Give You Devotion, Aeroplastics (& Damasquine), Brussels | 
                    | 1999 | The Plate Australian Perspecta: Art + Politics / Talkback, Art Gallery of New South Wales | 
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 | Deconstructionism: Life Back into Art, South Bank Corporation, Brisbane | 
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 | Bad Rice … Fooling the Gods, Iaspace, Hong Kong and Dimension Endowment | 
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 | for Art, Taipai | 
                    | 1998 | Graphic, Monash University Gallery, Melbourne | 
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 | Bad Rice … Fooling the Gods, Span Gallery, Melbourne and Performance Space, | 
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 | Sydney | 
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 | Edifying Sappho and Socrates, Sydney Gay and Lesbian Mardi Gras Festival and | 
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 | Torch Gallery, Amsterdam | 
                    | 1997 | This Pop Life, Art Gallery of South Australia, Adelaide | 
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 | Still Life Still Lives, Art Gallery of South Australia, Adelaide | 
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 | Geometric Painting in Australia 1941–1997, University of Queensland Art Museum, | 
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 | Brisbane | 
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 | Lawyers, Guns and Money, Experimental Art Foundation, Adelaide | 
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 | ambient (male) identity, Contemporary Art Centre of South Australia, Adelaide | 
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 | Bad Gay Art, Sydney Gay and Lesbian Mardi Gras Festival Gallery, Sydney | 
                    | 1996 | Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide | 
                    | 1995 | Moet & Chandon Art Fellowship Touring Exhibition, Art Gallery of New South | 
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 | Wales, Sydney and touring nationally | 
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 | Mao Tse Tung Hour, Ipswich Regional Art Gallery, QLD | 
                    | 1994 | Aussemblage Auckland City Art Gallery, Auckland | 
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 | Photosynthesis, Roslyn Oxley9 Gallery, Sydney | 
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 | Active Agents: AIDS Art in Australia, Canberra School of Art Gallery, Canberra | 
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 | Remain in Light QUEER Photography, Blaxland Gallery, Sydney | 
                    | 1993 | Australian Perspecta, Art Gallery of New South Wales, Sydney | 
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 | Installation and Objecthood, Milburn Gallery at Martin Browne Fine Art, Sydney | 
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 | and touring | 
                    | 1992 | YOU ARE HERE, Institute of Modern Art, Brisbane and touring nationally | 
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 | Gail Hastings, Mathew Jones, Anne McDonald, Scott Redford, Black, Sydney | 
                    | 1991 | Reference Points, Queensland Art Gallery, Brisbane | 
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 | Rules for Drawing, Mori Gallery, Sydney | 
                    | 1990 | Strange Harmony of Contrasts, Roslyn Oxley9 Gallery, Sydney and touring nationally | 
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 | Architecture of Light, Mori Gallery, Sydney | 
                    | 1989 | Salle de Reconnaissance, Institute of Modern Art, Brisbane; Australian Centre for | 
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 | Photography, Sydney; 200 Gertrude Street, Melbourne | 
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 | Pure, Mori Gallery, Sydney and Queensland College of Art Gallery, Brisbane | 
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 | Stealing Blind, Artspace, Sydney | 
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 | Colour Blind (Red), Mori Gallery, Sydney | 
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 | Victory over the Sun, First Draft, Sydney | 
                    | 1988 | A System of Differences, 200 Gertrude Street, Melbourne | 
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 | The Studio Artists, 200 Gertrude Street, Melbourne | 
                    | 1987 | Lines of Force, Institute of Modern Art, Brisbane; 200 Gertrude Street, Melbourne | 
                    | 1986 | Young Contemporaries, Australian Centre for Contemporary Art, Melbourne | 
                    | 1985 | Queensland Works 1950–1985, University of Queensland Art Museum, Brisbane | 
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 | Guttersnipers, Watters Gallery, Sydney | 
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 | Exchange x 4 Artists, George Paton Gallery, Melbourne | 
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 | Brisbane Hot, Institute of Modern Art, Brisbane | 
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 | Visual Tension (Brisbane Insert), Institute of Modern Art, Brisbane | 
                    | 1983 | No Names, Institute of Modern Art, Brisbane | 
                    | 1982 | Gold Coast City Art Prize, Gold Coast Council Chambers, QLD | 
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 | SELECTED PUBLIC COLLECTIONS | 
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 | Art Gallery of New South Wales | 
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 | Art Gallery of South Australia | 
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 | Art Gallery of Western Australia | 
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 | Queensland Art Gallery | 
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 | Dundee Art Gallery and Museum. Purchased through national acquisitions fund | 
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 | National Gallery of Victoria, Melbourne | 
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 | Museum of Contemporary Art, Sydney | 
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 | Parliament House, Canberra | 
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 | Gold Coast City Art Gallery | 
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 | Griffith University, Brisbane | 
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 | Ipswich Regional Art Gallery, Queensland | 
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 | Museum of Brisbane | 
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 | Perc Tucker Regional Gallery, Townsville | 
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 | University of Queensland Art Museum | 
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 | Vizard Collection, The University of Melbourne | 
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 | QUT Art Museum, Queensland | 
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 | Lismore Regional Gallery | 
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 | Newcastle Region Gallery, Newcastle | 
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 | Monash University Collection |