| SCOTT REDFORD |
| BIOGRAPHY |
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1962 | Born Gold Coast, Queensland |
| Lives and works Brisbane |
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| SOLO EXHIBITIONS |
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2014 | Scott Redford – Burn Rate / Parallel World, 11m2, Berlin |
2010 | Fiorucci Made Me Hardcore, Melbourne |
| Reinhardt Dammn: Ruined In A Day, Hesier Gallery, Brisbane |
2009 | Reinhardt Dammn: New Single, Out Now Criterion Gallery, Hobart |
2008 | On The Beach, Jan Manton Art, Brisbane |
| Reinhardt Dammn: Anytime Baby, Gould Galleries at Melbourne Art Fair, Melbourne |
| Reinhardt Dammn: Cold War, Breenspace, Sydney and IMA, Brisbane |
2007 | Photo: Sculpture, Theatre etc…Gertrude Contemporary Art Spaces, Melbourne |
| Sculpture, Criterion Gallery, Hobart |
| Blood Disco, Art Gallery of NSW, Sydney |
2006 | No Place Like Home, Institute of Modern Art at Melbourne Art Fair, Melbourne |
| Bricks Are Heavy, Institute of Modern Art, Brisbane |
2005 | The Content of these Paintings is Secret, Known Only to the People of Surfers |
| Paradise: Scott Redford and the Gold Coast, Gold Coast City Art Gallery |
| This Side of Paradise, Sherman Galleries, Sydney |
| Surf Paintings/ Heavier Than Heaven, Criterion Gallery, Hobart |
2004 | ½ Way: Collage Works 1994–2004, Dell Gallery, Queensland College of Art, Brisbane |
2003 | I’ve Got My Spine / I’ve Got My Orange Crush, Contemporary Art Centre of South |
| Australia, Adelaide |
| 1962: Selected Works 1983–1992, University of Queensland Art Museum, Brisbane |
| Surf Paintings / Somebody’s Son, Bellas Gallery, Brisbane |
2002 | I Need More, Kunstlerhaus Bethanien, Berlin |
| Urinals: Broadbeach, Surfers Paradise, Fortitude Valley, Austallungen bei Horst |
| Schuler, Dusseldorf |
| Spiritual Australia, Bellas Gallery, Brisbane |
2001 | Photo: Bleach Room (Kurt), Aktionsforum Praterinsel, Munich |
| Surf Paintings / Yield Brother, Austallungen bei Horst Schuler, Dusseldorf |
| Spiritual Australia, Bellas Gallery, Brisbane |
2000 | Surf Paintings = Already Gone, Sutton Gallery, Brisbane |
| Surf Paintings / Futurist City, Bellas Gallery, Brisbane |
1999 | Surf Unbe, Austallungen bei Horst Schuler, Dusseldorf |
| We are the Language (Kurt), Metro Arts, Brisbane |
1998 | To Have and Have Not 7066 AD, Bellas Gallery, Brisbane |
1997 | When Doves Cry, Bellas Gallery, Brisbane |
| Anyone Who Had a Heart, Sutton Gallery, Brisbane |
1996 | Learn by Heart, Institute of Modern Art, Brisbane |
| Everything that happens in culture happens because it is needed / PURE |
| MASSACRE – silverchair, Artspace, Sydney |
1995 | Spilt Milk, Sutton Gallery, Brisbane |
| Photo: Surf or Die, Bellas Gallery, Brisbane |
1994 | Automatic for the People, Sutton Gallery, Melbourne |
| Abstraction is the Enemy of the People, (given)/ Keanu Institute of Modern Art, |
| Brisbane |
| Nostalgia Bellas Gallery, Brisbane |
| (rosetta stone), Martin Browne Fine Art, Sydney |
1993 | Minus Objects, Milburn Gallery, Brisbane |
1992 | Equation, Eagle Street Pier, Brisbane |
| Painting is Constructed, Institute of Modern Art, Brisbane and Umbrella Studios, |
| Townsville |
1991 | Object + Gesture, Mori Gallery, Brisbane |
| Teeming Surface, Milburn Gallery, Brisbane |
| 101 x Work, Mori Gallery, Brisbane |
1990 | After Drawings by My Younger Brother Adam McCaull, Milburn Gallery, Brisbane |
1989 | Works on Paper 1986–1989, Mori Gallery, Brisbane |
1988 | Painting as Phenomena, Australian Centre for Contemporary Art, Melbourne |
| Cold War, Bellas Gallery, Brisbane |
1987 | Flag of Convenience, Bellas Gallery, Brisbane |
| Love and Sadness, Gold Coast City Art Gallery, QLD |
| M.A.C.H.I.N.E., Museum of Contemporary Art, Brisbane |
1986 | Love + Pride, Institute of Modern Art, Brisbane |
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| SELECTED GROUP EXHIBITIONS |
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2011 | Allsorts, Gould Galleries, Melbourne |
2010 | Director’s Choice, Gould Galleries, Melbourne |
| Scott Redford Vs Michael Zavros IMA, Brisbane |
| Un-Australian QUT Art Museum, Brisbane |
| Present Tense: An Imagined Grammer of Portraiture in the Digital Age NGP, |
| Canberra |
| Zen to Kawaii: The Japanese Effect QUT Art Museum, Brisbane |
| Multiples GOMA. Brisbane |
2009 | Clemenger Prize NGV, Melbourne |
| National Artists’ Self Portrait Prize University of Qld Art Museum, Brisbane |
2008 | Optimism: Contemporary Australia GOMA, Brisbane |
2006 | 21stCentury Modern: 2006 Adelaide Biennial of Australian Art |
| Art Gallery of South Australia, Adelaide |
| Magicians of the Sea, Australian Centre for Photography, Sydney |
| SOFA Chicago, USA. Represented by Australian Contemporary |
| High Tide: New Currents in Art from Australia and New Zealand |
| National Gallery of Poland, Warsaw and Contemporary Art Centre, |
| Vilnius, Lithuania |
| Supercharged: the Car in Contemporary Culture Latrobe Regional Gallery, |
| Morewell (and tour) |
| Light Sensitive: Contemporary Australian Photography from the Loti Smorgan |
| Fund National Gallery of Victoria, Melbourne |
| Epic Lismore Regional Gallery |
| Queensland Live Gladstone Regional Art Gallery (and tour) |
| Landscape Gould Galleries, Melbourne |
2005 | Identity and Desire: Australian Contemporary Art, Art Gallery of South Australia |
| Unscripted: Language in Contemporary Art, Art Gallery of New South Wales, Sydney |
2004 | 2004: Australian Culture Now, National Gallery of Victoria and Australian Centre |
| for the Moving Image, Melbourne |
| Surface Tension, Australian Centre for Photography, Sydney |
2003 | Photographica Australis, National Gallery of Thailand, Bangkok, Singapore Art |
| Museum and 11th Asian Art Biennale, Bangladesh Shilpalaka Academy |
| One Square Mile, Museum of Brisbane, Brisbane |
| Untitled: Abstraction from the Contemporary Collection, Art Gallery of New South |
| Wales, Sydney |
| Conceptualism in Brisbane, Queensland Art Gallery, Brisbane |
| See Here Now: Vizard Foundation Art Collection of the 1990s, The Ian Potter |
| Museum of Art, The University of Melbourne |
| Staring in the Dark, Australian Centre for Photography, Sydney |
| Gobbledygook, Centre of Attention, London |
2002 | Fieldwork: Australian Contemporary Art 1968–2002, National Gallery of Victoria, |
| Melbourne |
| 6 ft + Clean: Surf + Art, Gold Coast City Art Gallery, Gold Coast and touring |
| nationally |
| With and Without You: Revisitations of Art in the Age of AIDS, Sydney Gay Games |
| Festival, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney |
2001 | So You Wanna be a Rock Star, National Portrait Gallery, Canberra |
| Blondies and Brownies: Racism and Multiculturalism in the New and Old Worlds, |
| Aktionsforum Praterinsel, Munich |
2000 | Sporting Life, Museum of Contemporary Art, Sydney |
| Minimal, Australian Centre for Photography, Sydney |
| Monochromes, University of Queensland Art Museum, Brisbane |
| Blondies and Brownies, Torch Gallery, Amsterdam |
| Surrender: I Wanna Give You Devotion, Aeroplastics (& Damasquine), Brussels |
1999 | The Plate Australian Perspecta: Art + Politics / Talkback, Art Gallery of New South Wales |
| Deconstructionism: Life Back into Art, South Bank Corporation, Brisbane |
| Bad Rice … Fooling the Gods, Iaspace, Hong Kong and Dimension Endowment |
| for Art, Taipai |
1998 | Graphic, Monash University Gallery, Melbourne |
| Bad Rice … Fooling the Gods, Span Gallery, Melbourne and Performance Space, |
| Sydney |
| Edifying Sappho and Socrates, Sydney Gay and Lesbian Mardi Gras Festival and |
| Torch Gallery, Amsterdam |
1997 | This Pop Life, Art Gallery of South Australia, Adelaide |
| Still Life Still Lives, Art Gallery of South Australia, Adelaide |
| Geometric Painting in Australia 1941–1997, University of Queensland Art Museum, |
| Brisbane |
| Lawyers, Guns and Money, Experimental Art Foundation, Adelaide |
| ambient (male) identity, Contemporary Art Centre of South Australia, Adelaide |
| Bad Gay Art, Sydney Gay and Lesbian Mardi Gras Festival Gallery, Sydney |
1996 | Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide |
1995 | Moet & Chandon Art Fellowship Touring Exhibition, Art Gallery of New South |
| Wales, Sydney and touring nationally |
| Mao Tse Tung Hour, Ipswich Regional Art Gallery, QLD |
1994 | Aussemblage Auckland City Art Gallery, Auckland |
| Photosynthesis, Roslyn Oxley9 Gallery, Sydney |
| Active Agents: AIDS Art in Australia, Canberra School of Art Gallery, Canberra |
| Remain in Light QUEER Photography, Blaxland Gallery, Sydney |
1993 | Australian Perspecta, Art Gallery of New South Wales, Sydney |
| Installation and Objecthood, Milburn Gallery at Martin Browne Fine Art, Sydney |
| and touring |
1992 | YOU ARE HERE, Institute of Modern Art, Brisbane and touring nationally |
| Gail Hastings, Mathew Jones, Anne McDonald, Scott Redford, Black, Sydney |
1991 | Reference Points, Queensland Art Gallery, Brisbane |
| Rules for Drawing, Mori Gallery, Sydney |
1990 | Strange Harmony of Contrasts, Roslyn Oxley9 Gallery, Sydney and touring nationally |
| Architecture of Light, Mori Gallery, Sydney |
1989 | Salle de Reconnaissance, Institute of Modern Art, Brisbane; Australian Centre for |
| Photography, Sydney; 200 Gertrude Street, Melbourne |
| Pure, Mori Gallery, Sydney and Queensland College of Art Gallery, Brisbane |
| Stealing Blind, Artspace, Sydney |
| Colour Blind (Red), Mori Gallery, Sydney |
| Victory over the Sun, First Draft, Sydney |
1988 | A System of Differences, 200 Gertrude Street, Melbourne |
| The Studio Artists, 200 Gertrude Street, Melbourne |
1987 | Lines of Force, Institute of Modern Art, Brisbane; 200 Gertrude Street, Melbourne |
1986 | Young Contemporaries, Australian Centre for Contemporary Art, Melbourne |
1985 | Queensland Works 1950–1985, University of Queensland Art Museum, Brisbane |
| Guttersnipers, Watters Gallery, Sydney |
| Exchange x 4 Artists, George Paton Gallery, Melbourne |
| Brisbane Hot, Institute of Modern Art, Brisbane |
| Visual Tension (Brisbane Insert), Institute of Modern Art, Brisbane |
1983 | No Names, Institute of Modern Art, Brisbane |
1982 | Gold Coast City Art Prize, Gold Coast Council Chambers, QLD |
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| SELECTED PUBLIC COLLECTIONS |
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| Art Gallery of New South Wales |
| Art Gallery of South Australia |
| Art Gallery of Western Australia |
| Queensland Art Gallery |
| Dundee Art Gallery and Museum. Purchased through national acquisitions fund |
| National Gallery of Victoria, Melbourne |
| Museum of Contemporary Art, Sydney |
| Parliament House, Canberra |
| Gold Coast City Art Gallery |
| Griffith University, Brisbane |
| Ipswich Regional Art Gallery, Queensland |
| Museum of Brisbane |
| Perc Tucker Regional Gallery, Townsville |
| University of Queensland Art Museum |
| Vizard Collection, The University of Melbourne |
| QUT Art Museum, Queensland |
| Lismore Regional Gallery |
| Newcastle Region Gallery, Newcastle |
| Monash University Collection |